Lightest Skate Trucks

Chapter 19 - GG Frezza (engraver copper )

Giovanni Girolamo Frezza Orvinio was born in the year 1659 and died in 1741 (see Note B on page 37 of this at the bottom of description)
He completed his studies in Rome and became famous young age engraver in copper.
reside in Rome and worked tirelessly until very late age. From
superb engraving on copper plate, perfectly smooth (about the size of 21.50 X 19 cm including the frame engraved surface, reproducing faithfully the angelic appearance of Our Lady of SS.ma Vallebona) (Sanctuary exists in the territory of Orvinio) incision I often admired and jealously kept by the parish priest of the Abbey Church of St. Nicola di Bari Orvinio, it is noted that the Frezza recorded for a devotion in Rome in 1740 at the ripe old age of 81 years.
the Corsini Gallery, located in Rome because of the Lungara n.10 Plan II - Prints Cabinet there is a statue of Frezza an engraving depicting an allegory on which and the name and surname of the Frezza and year 1727, is inscribed by the author as follows "to get in contact by Frezza face of the Church of Scotland near Piazza Barberini
This release is preserved in volume at 57 n.12 n.116.642.
same office keeps a book of the year 1837, classified Magler - Volume 4; Well on page 494 and 95 is described in the biography of Frezza and the incisions made by him, the book is written in German.
Opposite the door of the Church of Scotland is situated in Via delle Quattro Fontane (near Piazza Barberini) there is a No. 10 gate; Therefore, we believe that there was the home of the great artist who disappeared in the Hymn to remember me Orvinio (p.35).
In response to inquiries that have been completed, the house where the birth took Frezza, I think that being Manenti the 1st and 2nd floor of the civic n.147, 149-153 and 155, the house adjoining the Old Port, this now almost completely demolished to widen the road and overlooking the Piazza del Sole, former Square Casalino. This great son of
Orvinio increasingly expected to be duly honored and we hope that you remember someone for the upcoming third anniversary of his birth occurring in 1959. Almost all the works of
Frezza are reproductions of famous paintings and sculptures. At the Royal
Calcografia of Rome, located in the path of Printing, first floor, shall be kept recorded by Frezza the following branches:

No Quantity of




ranking of the branches of the subject specification

Annotations

engraved


907
1
Holy Family






1112 (?)
Mythological subjects (reproductions of paintings from the catalog that
The group consists of existing
Palazzo Giustiniani at Bassano
20 branches engraved by various artists including the
Frezza at which they should be given only a part


1335
3
St. Andrew - St. John - S. Playing statues of the Apostle Matthew
existing hardships in
Archbasilica of St. John Lateran


1338
8
Table 34 - Minerva Medical
"35 - Venus Comam Ornans
" 44 - Fortuna
"47 - Melpomene
" 48 - Thalia
"61 - Philosopher
" 77 - Concordia
"83 - Genius of Biga
1602

1 St. Joseph Anchieta
located at the Galleria Corsini in Rome because of Lungara n.10 Plan II (Cabinet of Prints) is keep the following prints, engravings drawn up Frezza, but you know where are kept its branches carved by the great Master.

Standings

Amount of Notes

Volume
No
Specification subject
engravings

folder 630
44
Pope Clement XI

a National Endowment
1002
14568 (147)
Cardinal Fondodarius
1

1005
14,571 (37)
"
1

"
14571 (65)
"Emericus Czacki
1

26M19
4639
mythological
1

27M18
10140
Francesco Albani
1

"
10141
mythological
1

"
10142
"
1

"
10143
" "
1

"
10144
" "
1

"
10145
" "
1

"
10146
" "
1

"
10147
" "
1

"
10148
" "
1

"
10149
" "
1

"
10150
" "
1

"
10151
" "
1

"
10152
"
1

"
10153
"
1

"
10154
"
1

"
10155
"
1

"
10156
"
1

57N12 116596

"
1

"
116597
"
1

"
116598
"
1

"
116599
Annunciation of the Virgin Mary
1

"
116600
Natività di Gesù Cristo
1

"
116602
Gesù presentato al vecchio Simeone
1

17N12
116603
Gesù consegna le chiavi del Paradiso a S.Pietro
1

"
116604
Apparizione dello Spirito Santo agli Apostoli congregati
1

"
116605
S.Filippo Neri orante davanti al Crocefisso
1

"
116606
La Vergine che allatta il Bambino Gesù
1

"
116608
Sacra Famiglia con S.Giovanni Battista
1

"
116609
Sacra Famiglia con S.Giovanni Battista
1

"
116610
Assunzione della Beata Vergine
1

"
116611
Assunzione della Beata Vergine
1

"
116612
La Vergine col Bambino
1

"
116613
Fatto sacrilego davanti alla Madonna del Pianto
1

"
116614
S.Pietro converte le genti
1

"
116615
Santi in preghiera
1

"
116617
S.Andrea
1

"
116618
S.Matteo
1

"
116619
S.Giovanni da Capistrano
1

"
116620
Venerabile Nicola de Sios
1

"St. Pantaleo
116621

1

"
116622
S. Andrea Corsini
1

"
116623
Augustine
1

"
116624
Holy Angels with a


"
116625
Ascent Jesus Christ
1

"
116626
Assumption of the Virgin Mary with a religious


"
116627
St. John of God
1

"
116628
S. Francesco di Paola
1

"
116629
S. Francesco di Paola


Table 1 Number of


Notes
Volume
No
Specification subject
engravings

17N12
116630
St. Ignatius of Loyola
1

"
116631
Playing an altarpiece
1

"
116632
St. Vincent de Paul
1


57N12 116633
S. Happy Cantalice
1


116634
St. Andrew Avellino
1


116635
Altar of St. Aloysius Gonzaga
1


116636
Holy in the midst of the barbarian tribes and wild animals
1


116637
Venerable Fernus Of Galeatius
1


116638
Two venerable
1


116639 Two venerable

1


116640
Adoration of the Holy Family
1


116642
Allegory
1


116643
Eternal Father with Angels
1


116644
Adoration of the Virgin's Assumption into heaven
1


116645
St. Joseph with the Virgin
1


116646
Holy Family and Angels
1


116647
St. Margaret of Cortona
1


116648
Blessed Catherine de Riccijs
1



116649 right foot of St. Teresa of Jesus
1


116650
St. Juliana Falconry 1



116651
Venerable Battista Vernazza
1


116652
Mythological Scene of ancient Rome
1


116653
Judgement of Paris 1



116655
mythological
1


116656
mythological 1



116657
Austrian Trio
1


116658
Statue of Silence
1


116659
Statue of Antinous
1


116660
Centaur
1


116661
Centaur
1


116662 Isis

1


116663
Archigalli
1


116664
Vaso artistico
1


116665
Riproduzione della Macchina eretta sulla piazza di Castel Gandolfo il 17 giugno 1717

116666
Riproduzione della facciata del Duomo di Orvieto
1


116667
Stemma Pignatelli
1


116668
Paesaggio (le Amerelle)
1


116669
Papa Clemente XI
1


116670
Papa Benedetto XIV
1


116671
Giovanni Fontana
1


116672
Ritratto di Prelati e Gentiluomini
1


116673
Ritratto Prelates and Gentlemen
1



116674 Portrait of a Prelate and Gentlemen


Since it is clear that the Frezza was a prolific artist, it must be considered as certain that in addition to copper kept at the parish and the Orvinio recordings listed above, they exist at other public and private galleries. In the Library
Tailors placed on the second floor of the Palace of the Academy of St. Luke is located in the homonymous square next to the Trevi fountain in Rome, I consulted the following books where mention is made of Frezza:

1) Allgemeines Lexikon der Kunstler Bildenden - Volume XII, Leipzig-printed-Verlag von EA Seemann - Year 1916 - On page 449 reads: born in Canemorto, places near Tivoli, in the year 1659 and died in 1741, followed by a list of works recorded by Frezza. Among these, it appears that he died in the year (ie 1741) he executed the engravings engraving and etching that are preserved in the Uffizi in Florence.
2) News of the carvings of St. John Istoriche Gori Gandellini - Tomo II - Siena 1808. On page 43-44 and 45 plus a description of the works he engraved it says: He learned the principles of design by Arnold Van Vestherant, was a lively wit and broad ideas, has left an infinite number of prints if carved by a chisel and etching, where you can admire the perfection of design and sweetness del taglio che innamora gli amatori dell’arte onde con ragione fu stimato uno dei primi intagliatori del suo tempo.
Nota Bene: Ritengo che il decesso del Frezza sia avvenuto in Orvinio per i seguenti motivi: Poiché Roma era la sua residenza, se la morte l’avesse raggiunto in detta città, l’avvenuto decesso sarebbe stato trascritto sul Registro Atti di Morte della Parrocchia nella cui giurisdizione era compresa l’abitazione del Frezza.
Non avendo potuto individuare con certezza tale Parrocchia, sono stato costretto a recarmi all’Archivio Vaticano, ove ho attentamente e scrupolosamente consultati i registri degli Atti di Morte dell’anno 1741 di tutte le Parrocchie di Roma, ma non ho trovato alcuna traccia Frezza's death. Excluding
Rome as the place where he could probably be death, because, think the reader should be Orvinio?
Now we'll see. The Frezza, in the year 1740, having reached the ripe old age of 81 years, perhaps present the approach of his death, decided to leave his home a souvenir in honor of Our Lady of SS.ma Vallebona, impacting on the Sacred Sembianze a perfectly smooth sheet of copper.
The beautiful work was done for his devotion in Rome in 1740 (certainly towards the end of that year, because it is undisputed that the Frezza has worked in engraving and etching even at the beginning of 1741, the year of his death). The beautiful incision is jealously preserved in the Parish Church of St. Nicholas of Bari in Orvinio.
If the copper plate that was engraved in Rome, as is apparent, as has come to Orvinio at that time that there were no airplanes, no cars, no railways, and even driveways, while there was not an intentional state is even rudimentary postal service or courier? Certainly
Frezza, who had shoulder 82 springs, presented soon its end, he left Rome, bringing with him his famous engraving in question, to return to its Orvinio where he died the same year 1741. Unfortunately
Parish Orvinio at that time had not yet set up the registry Acts of Death, which began only towards the end of the 18th century.




Continuation (From Orvinium to Orvinio)

subsequently found.

Following methods research carried out on a literal copy of the famous Summary of Farfa, I found the following news: In all of the following documents in the transcripts and that is:
- Document 1016 - Year 1075. Volume V - Page 19
- "1045 -" 1080. "" "47
-" 1095 - "1084. "" "90
-" 1255 - “ 1090 . “ “ “ 235
- “ 1205 - “ 1110 . “ “ “ 198

redatti, come vedesi, fra gli anni 1075 e 1110, ricorre costantemente il nome di Canemorto, mentre in quelli quì sotto elencati, che vanno fra gli anni 1012 e 1062, ricorre quello di Malamorte:

- Documento 450- Anno 1012 – Volume III - pagina 163
- “ 633 “ 1012 “ IV “ 31
- “ 635 “ 1012 “ IV “ 32
- “ 572 “ 1017 “ III “ 279
- “ 518 “ 1019 “ III “ 229 (*)
- “ 522 “ “ III “ 231
- “ 521 “ 1025 “ III “ 230
- “ 573 “ 1032 “ III “ 280
- “ 567 “ 1036 “ III “ 274
- “ 996 “ 1036 “ IV “ 375
- “ 570 “ 1038 “ III “ 277
- “ 776 “ 1044 “ IV “ 184
- “ 938 “ 1062 “ IV “ 332


Pertanto deve ritenersi che il nome Orvininium fu deposto e sostituito con quello di Malamorte probabilmente fra il 917 d.c. (anno in cui fu costruita la Chiesa di S,Maria del Piano) e il 1012 (vedasi documenti 450-633 e 635 del Regesto; fra il 1062 e 1075 (documenti 932 e 1016 dello stesso Regesto) quello di Malamorte con Canemorto ed infine questo con quello di Orvinio, ripristinato con Regio Decreto del 29 marzo 1863.
A titolo di curiosità aggiungo che presso l’Archivio Storico Capitolino, collocato al primo piano del Palazzo dei Filippini in Piazza della Chiesa Nuova in Roma, trovasi l’antico archivio degli Orsini, già signori di Orvinio.
In esso si conserva una pergamena del 21 novembre 1378, riguardante la vendita di un pezzetto di terra in territorio di Canemorto in vocabolo “le Coste” fatta da Giorgio di S.Alberto a favore Giovanni Di Pietro, per la somma di otto fiorini d’oro – Notaro Giacomo di Carluccio di Canemorto – Tale pergamena ha sullo schedario il seguente riferimento: II A VII – 27.

(*) nel documento 518, alla parola Malamorte, vi è una chiamata in fondo alla pagina 229 che riporta integralmente: In una postilla marginale scritta per quanto pare verso il principio del secolo XVII, si legge: puto canem m(or) tuum, et non...Le lettere tra parentesi mancano nel testo perché risecate quando il codice fu rilegato.